A nation or people rarely if ever think as one. In the case of the Touareg, difference and disharmony is exacerbated by their vast desert habitat and dispersed nomadic lifestyle
What do the Touareg want?
Category: Artists A-Z
GUNS, CIGARETTES AND SALAFI DREAMS – The roots of Al Qaida in the Islamic Maghreb (AQIM)
There are facts about Al Qaida in the Islamic Maghreb (AQIM) that are reassuringly hard and verifiable. The organisation exists. It’s run by Algerian Arabs. It’s made a home from home in the north east of Mali, on Tinariwen’s native earth. It earns millions and millions of euros from kidnapping westerners. No one knows exactly how much. Every now and then it chops the head off one of its victims. All in the service of a dream that has become a nightmare for the people of the Sahara
BALOJI (Part 1) – Super sorcerer of Belgo-congolese rap
Baloji produced his first solo opus ‘Hotel Impala’ in 2007 and is currently limbering up for the worldwide release of his new album, ‘Kinshasa Succursale’. It hits you a bit like Central Africa’s answer to The Beatles’ ‘White Album’
DANYEL WARO – Mongrel and proud
Like the Rolling Stones, Elvis Presley and Eminem, Danyel Waro has taken a style of music that wasn’t his by birthright and fashioned it into something new. The music in question is maloya.
SUPER ONZE DE GAO – The takamba champions of the Niger bend.
Their driving force is the unmistakable takamba rhythm which pulses on the boom and bip before lurching at the end of every phrase, catching the uninitiated in mid-step. Try and imagine the lope of a camel combined with the flow of a vast sedate river and you’ll be getting close.
AFROCUBISM – An old transatlantic love story
When the record producer Nick Gold traveled to Cuba in the early 1990s he had the genius to perceive the well-spring of love for Cuban music that still flowed through Mali and West Africa and appreciate the strength of their intertwining histories.
THE SOUNDTRACK TO THE ARAB REVOLUTIONS – From Fear to Fury
It took a rapper to light a firecracker and lob it at Tunisia’s youth, whose frustration had been distilled into liquid hydrogen by years of government corruption, nepotism, ineptitude and general state imposed joylessness.
SMOD – Folk? Rap? African? Smart? No doubt!
“Africa needs to speak out right now,” says Ousco calmly over a crackling phone line from Bamako. “Africa must stop crying.” His words are a neat little summary of what African rap is all about: No mincing words or metaphors. No ancient musical traditions that cosy up to power. No decadent ghetto fabulous fantasies. None of that.
ETRAN FINATAWA – The nomad alliance of Niger
The word ‘nomad’ might make us dream about freedom, but in the southern Sahara it actually describes a man locked in a pitiless and epic struggle against drought, locusts and oblivion. The scrubland of the Azawak, an immense and table-flat plain in the northwestern corner of Niger, is home to two nomadic peoples, the Touareg and the Woodabé, who have been intimate with this daily existential grind for centuries.
MUSIC UNDER FIRE – There’s nothing more revolutionary than joy.
Yabous Productions, the non-profit Palestinian organisation behind the Jerusalem festival, has been organizing cultural events in Jerusalem and the West Bank since 1995. After the second intifada started in 2001, they were one of the few cultural organisations in Palestine to survive the Israeli crackdown. Their small offices in Arabic East Jerusalem buzz with activity on the day before Awj’s opening concert.
