My new book MUSIC, CULTURE & CONFLICT IN MALI takes an in-depth look at the crisis that overtook Mali in January 2012 and lead to a ten-month occupation of the northern two-thirds of the country by armed jihadi groups. The book examines the roots of those tumultuous events and their ef- fect on the music and culture of the country. There are chapters on music under occupation in the north, the music scene in Bamako, the destruction of mausoleums in the north, the fate of Mali’s precious manuscripts, Mali’s film and theatre industries and the response to the crisis from writers, poets, journalists, intellectuals and film-makers.
Category: Music, Culture & Conflict in Mali
MUSIC, CULTURE & CONFLICT IN MALI (extract) – Tisrawt: The epic tale of a theatre company from northern Mali
BOOK EXTRACT: “Tisrawt is a microcosm of Touareg society,” Melissa explains. “That’s to say, it is a group of people who come from many different clans. Some are pro-MNLA. Some are pro Ansar ud-Dine. Some are pro-Mali. Others say that it’s all nonsense. And the aim is to understand each other, to live together and work together on a common project.”
MUSIC CULTURE & CONFLICT IN MALI (extract) – “We have come here to teach you the true faith”
BOOK EXTRACT: In important ways, the scenes of vandalism and destruction that were played out in Timbuktu following the Salafist takeover in April 2012 weren’t new at all. There was something very old about them. Mostly white Arabic or Hassaniya speaking men from the northern deserts were ‘teaching’ the blacks how to worship Allah in the ‘proper’ manner.
MUSIC, CULTURE & CONFLICT IN MALI (extract) – Music in the red zone
BOOK EXTRACT: Life in the early 1990s was convivial. There was music. Women felt free to come and go. Some people smoked cigarettes and drank alcohol. The bonds between those young Touareg, their music and their culture seemed strong and unbreakable. No one quite knows why some senior Touareg figures from the northeast, including Iyad Ag Ghali, began to succumb to the message of Pakistani preachers belonging to Tablighi Jama’at.
MUSIC, CULTURE & CONFLICT IN MALI (extract) – “We don’t want Satan’s music!”
BOOK EXTRACT: In Gao, a group of teenagers sat around a ghetto blaster listening to Bob Marley. A Landcruiser pick-up loaded with tooled-up Islamic police came by and seeing the reggae fans, stopped and accosted them. “This music is haram!” – forbidden by Islamic law – said one of the MUJAO men as he yanked the cassette out of the blaster and crushed it under his feet.
