Portraits of Niger Musicians including Bombino, Etran Finatawa, Mamane Barka and Alhousseyni Anviolla taken in around Niamey in 2013
NIGER MUSIC – Photo Essay
Category: Music & Culture
Article broadly about music, art and culture
WOMEX 2013 AWARD SPEECH – What the Festival in the Desert did for one dumbfounded tourist
Ladies, gentlemen and fellow Womexicans… On the third of January this year, Ansar Eddine, one of the three armed Salafist groups who ruled over the northern two-thirds of Mali and imposed a brutal form of shari’a law on its people, issued what they called their ‘political platform’. In many ways it’s an extraordinary document, of…
REVIEW of ‘Music, Culture & Conflict in Mali’ – SONGLINES, September 2013
It was a small consolation, but one of the few positives to come out of the occupation of the northern two-thirds of Mali by armed jihadist groups in 2012 was the informed analysis of Andy Morgan. At the height of the crisis, Morgan seemed ubiquitous in the western media – on radio, television and in…
NEW BOOK – Music, Culture & Conflict in Mali
My new book MUSIC, CULTURE & CONFLICT IN MALI takes an in-depth look at the crisis that overtook Mali in January 2012 and lead to a ten-month occupation of the northern two-thirds of the country by armed jihadi groups. The book examines the roots of those tumultuous events and their ef- fect on the music and culture of the country. There are chapters on music under occupation in the north, the music scene in Bamako, the destruction of mausoleums in the north, the fate of Mali’s precious manuscripts, Mali’s film and theatre industries and the response to the crisis from writers, poets, journalists, intellectuals and film-makers.
CATRIN FINCH & SECKOU KEITA – The Royal Welsh College of Music and Drama, Cardiff, 20/03/2013
This was only a first taste but it was already golden, despite occasional rawness and hesitation, easily forgiven. With albums to be made, tours to be done and an inevitable maturing yet to come, the marriage of harp and kora seems blessed to be long, warm and fruitful.
SAHARA SOUL – Bassekou Kouyate, Tamikrest, Sidi Toure.
Listen to the spirits and they’ll tell you a deeper tale: that in that vast desert which outsiders are content to call a wasteland, there exists an endless calm, tranquillity and beauty that makes the nomad cry
BALOJI (Part 1) – Super sorcerer of Belgo-congolese rap
Baloji produced his first solo opus ‘Hotel Impala’ in 2007 and is currently limbering up for the worldwide release of his new album, ‘Kinshasa Succursale’. It hits you a bit like Central Africa’s answer to The Beatles’ ‘White Album’
DANYEL WARO – Mongrel and proud
Like the Rolling Stones, Elvis Presley and Eminem, Danyel Waro has taken a style of music that wasn’t his by birthright and fashioned it into something new. The music in question is maloya.
SUPER ONZE DE GAO – The takamba champions of the Niger bend.
Their driving force is the unmistakable takamba rhythm which pulses on the boom and bip before lurching at the end of every phrase, catching the uninitiated in mid-step. Try and imagine the lope of a camel combined with the flow of a vast sedate river and you’ll be getting close.
AFROCUBISM – An old transatlantic love story
When the record producer Nick Gold traveled to Cuba in the early 1990s he had the genius to perceive the well-spring of love for Cuban music that still flowed through Mali and West Africa and appreciate the strength of their intertwining histories.
